Skip to content
Mark Douglas Doran
Menu
  • novel writing
    • Don’t Submit Your Dream Novel First
    • WHY YOU SHOULDN’T MIX GENRES WHEN STARTING OUT
    • Raise the Stakes or Lose Your Reader
    • PSYCHOLOGICAL STUDY OF 1951 CHRISTMAS CAROL
    • Speech-to-Text: A Writer’s Secret Weapon
    • The #1 Reason Readers Quit Your Book
    • The One Trick That Hooks Every Reader
    • Why Every Scene Needs Intent and Obstacle
    • The One Golden Rule Every Novelist Must Know
  • how to.. writing tips
    • HOW TO CONTROL YOUR NOVEL’S PACE
    • How To Create A Powerful Story With 6 Words
    • Why Writing Your First Book Is Brutal (Truth)
    • The Secret to Rereadable Novels
    • How to Write a Villain Readers Fear
    • Fix Your Ending, Fix Your Story
    • The One Trick That Hooks Every Reader
    • Why Most Flashbacks Kill Your Story
    • How to Write an Epic Trilogy That Works
  • working your novel
    • Speech-to-Text: A Writer’s Secret Weapon
    • Stop Writing Flat Characters (Do This)
    • UNDERSTANDING A CHARACTER’S WANTS AND NEEDS
    • Why Character Arcs Make or Break Stories
    • Why Passive Heroes Kill Suspense
    • Too Late to Write a Novel? Absolutely Not
  • beginning your novel
    • The Fastest Way to Create Real Characters
    • The Writing Skill Most Authors Ignore
    • The Emotional Secret of Unforgettable Novels
    • Why Writing Your First Book Is Brutal (Truth)
    • What Jokes Teach Us About Writing Novels
    • Why You Shouldn’t Start at the Beginning
    • Why Most Twist Endings Fail in Novels
    • How To Create A Powerful Story With 6 Words
    • Planner or Pantser? What Stephen King Really Does
  • editing your novel
    • HOW TO CONTROL YOUR NOVEL’S PACE
    • Fix Your Ending, Fix Your Story
    • The Smart Way to Research Your Novel
    • SEEING THINGS THROUGH A LITERARY AGENT’S EYES
    • Do You Really Need Apps to Write a Novel?
  • quick writing tip
    • The Writing Mistakes Bad Sequels Reveal
    • The One Golden Rule Every Novelist Must Know
Menu
Make Your Protagonist Impossible to Forget

Make Your Protagonist Impossible to Forget

Posted on July 10, 2026 by mark

 

Give Your Hero a Reason to Stand Out

Why do some fictional characters stay with us for years while others disappear from our minds the moment we finish the book?

It usually isn’t because of the plot.

It’s because of the character.

One of the biggest mistakes new writers make is creating a protagonist who’s perfectly ordinary. They react to events, drift from scene to scene, and rarely give the reader a reason to become invested.

The good news is that fixing this problem is surprisingly simple.

Give your protagonist one thing they genuinely excel at—and one flaw that keeps life interesting.

That combination can transform an average character into someone readers can’t wait to follow.

 

Give Your Hero One Standout Strength

Think about some of fiction’s most memorable characters.

Robert Langdon from The Da Vinci Code isn’t stronger than everyone else. He isn’t fearless or unbeatable. What makes him fascinating is his ability to solve symbols and riddles. His expertise drives the story forward.

Indiana Jones isn’t a superhero either. He’s an archaeologist who understands history better than almost anyone around him. Time after time, it’s his knowledge—not brute strength—that gets him closer to his goal.

Sherlock Holmes isn’t loved because he’s perfect. Readers admire him because he notices clues everyone else overlooks.

None of these characters excel at everything.

But each excels at one thing.

That’s what makes them memorable.

 

Don’t Confuse Competence with Perfection

This is where many writers go wrong.

They hear advice about making their protagonist exceptional and accidentally create someone who’s good at everything.

That’s a problem.

Perfect characters remove suspense.

If readers believe your hero will solve every obstacle without effort, why should they worry about what happens next?

Readers don’t connect with perfection.

They connect with struggle.

The most satisfying heroes succeed because they overcome their weaknesses—not because they don’t have any.

 

Give Their Strength a Matching Weakness

The best protagonists always have limits.

Indiana Jones fears snakes.

Robert Langdon struggles with claustrophobia.

Sherlock Holmes often finds relationships more difficult than solving crimes.

Their flaws aren’t random personality traits added to make them seem realistic. They create genuine obstacles that force the character to grow.

A weakness should complicate the story.

If it never creates a problem, it probably doesn’t belong there.

 

Why Readers Connect with These Characters

When we read a novel, we’re looking for two things at the same time.

We want someone we can relate to.

We also want someone we admire.

Those two desires may seem opposite, but together they create compelling protagonists.

We recognise ourselves in a character’s fears, doubts, and mistakes.

We admire the talent, courage, or determination that allows them to keep moving forward.

That’s why characters who are both capable and vulnerable stay with us long after the story ends.

 

A Great Example: Columbo

Lieutenant Columbo looks anything but impressive.

His raincoat is wrinkled.

He appears absent-minded.

Most criminals underestimate him within minutes.

But that’s exactly why he works.

Behind that humble appearance is an investigator with remarkable instincts. Every casual question brings him closer to the truth until the criminal finally realises they’ve been outplayed.

We don’t admire Columbo because he’s flashy.

We admire him because he’s quietly brilliant.

His greatest strength is hidden beneath obvious imperfections.

 

make your protagonist impossible to forget-2

Try This Before You Write Your Next Chapter

Ask yourself two simple questions.

What is my protagonist genuinely good at?

What personal flaw makes that strength harder to use?

If you can answer both questions, you’ve already taken a huge step toward creating a memorable character.

If you can’t, your protagonist may still be missing the spark that keeps readers turning pages.

 

Final Thoughts

Imagine two detectives.

The first is average in every way. He solves the case because the clues simply fall into place.

The second notices details everyone else misses, but his impatience often causes people to distrust him. His greatest strength helps him solve the mystery, while his biggest flaw creates new obstacles along the way.

Which detective would you rather spend three hundred pages with?

Exactly.

Great protagonists don’t have to be superheroes.

They don’t have to be the smartest, strongest, or bravest person in the story.

They simply need one ability that earns our respect—and one flaw that reminds us they’re human.

When you combine those two qualities, you create the kind of character readers remember long after they’ve turned the final page.

 

You might be interested in these blogs…

COPY YOUR FAVORITE NOVEL? HERE’S WHY IT WORKS 

STORIES, SONGS, AND SMALL-TOWN MEMORIES 

WRITE A NOVEL HOLLYWOOD CAN FILM 

 

 

Share this:

  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest

Related

mark
mark
blogger at mark douglas doran
A novel writer looking to help you become the greatest writer you can be. teaching the in and outs of writing your novel.

Leave a Reply Cancel reply

You must be logged in to post a comment.

Social Media Icons

Visit Us On FacebookVisit Us On TwitterVisit Us On LinkedinVisit Us On PinterestVisit Us On YoutubeVisit Us On Instagram

Mark Doran’s New Blog – Sign Up Now

Mark Douglas Doran

mark

A novel writer looking to help you become the greatest writer you can be. teaching the in and outs of writing your novel.

View all posts

Goodreads

search all things writing and editing blogs right here

Recent Comments

    Meta

    • Log in
    • Entries feed
    • Comments feed
    • WordPress.org

    Archives

    • July 2026
    • June 2026
    • April 2026
    • March 2026
    • February 2026
    • January 2024
    • December 2023
    • February 2022
    • January 2022
    • December 2021
    • November 2021
    • May 2021
    • April 2021
    • January 2016

    Editors Choices

    • Write Endings That Echo
    • Master Your Novel’s Pacing
    • Why Readers Quit Your Story Halfway
    • The Writing Mistakes Bad Sequels Reveal
    • The Risky Side Of Self-Publishing Your Novel
    • The MacGuffin Mistake That Kills Stories
    • How to Write an Epic Trilogy That Works
    • Why Stephen King Isn’t Really a Horror Writer
    • Raise the Stakes or Lose Your Reader
    • Fix Your Ending, Fix Your Story
    • Most Writers Get This 3-Hour Rule Wrong
    • The Real Work Begins After Draft One
    • The One Golden Rule Every Novelist Must Know
    • Design a Villain Readers Never Forget
    • Why Passive Heroes Kill Suspense
    © 2026 Mark Douglas Doran | Powered by Superbs Personal Blog theme

    Loading Comments...

    You must be logged in to post a comment.